Last year I participated in the 1st annual Monster Art Rally at the Taubman Museum of Art and I’m happy to announce that I’m participating again this year! The event is taking place this Thursday April 21st from 5-9pm. Over 30 local artists will be drawing on-site while visitors watch and learn about the artists, their work, and the art of buying art. All artwork will be on sale for $50 and each piece will go to the person who draws the highest card. Proceeds from art sales help support educational programming at the museum.
Food and drinks will be available for purchase, plus all galleries will be open until 9pm, including the Norman Rockwell exhibition. See below for more details and click here to visit the Facebook event.
If you are a local business, you can contribute by purchasing “Monster Dollars”–pre-paid sponsorships that can be used to play in the auction. Click here for more info and here to purchase.
Hope to see you there!! xoxo
Some documentation from this semester…
It’s that time again. The official day that I sit and reflect on my life as a person with diabetes. I say ‘official’ because this is something I think about daily (no special anniversary needed). It has now been 22 years since I was diagnosed with Type 1 diabetes at the age of 3. To avoid sounding redundant, I’ll skip the details about the struggle of attempting to manage some kind of control over my body. Instead, I’ll share some exciting things that I’m doing right now and have been doing that relate to art and diabetes.
- Children’s Book. Writing a children’s book has been a dream of mine since I was a kid myself. I’ve always loved reading and drawing and writing and thought “why not create a book of my own?” It’s taken a while to get to this point (I have many unfinished stories), but it’s real this time and I’m determined to publish it within the next year. The reason I’m mentioning the book in this post is because the book I’m writing/illustrating is meant for kids who are growing up with diabetes. I don’t want to share too much information yet, but I’ve been working on this since September and still have a lot of work left. I’m SO excited to share it soon. You can see peeks if you follow me on Instagram @anamoralesart.
- Thesis Work. For my MFA I have to complete a written thesis as well as create work for a thesis exhibition this summer in Chicago. Both are influenced by my experiences living with diabetes and the work that I’ve made about diabetes over the past six years. My goal is to document both processes over the next several months and share them here and on other social media platforms. I’m making plans for the steps I will take post-graduation, and that includes sharing my work broadly and figuring out how I can bring it into non-art spaces as well.
- Diabetes Study. This doesn’t directly relate to my art practice, except that it’s kind of like research. I’m currently participating in a 16 week study conducted by The Department of Psychiatry and Neurobehavioral Science at The University of Virginia. The purpose of the study is to test an Internet-based program for use with women with Type 1 diabetes who plan on one day becoming pregnant. The goal of the program is to help these women learn how to regulate their blood glucose levels for pregnancy. It is almost like taking a refresher course on how to manage my numbers, plus I’m learning lots of new information and making a greater effort to notice symptoms of high and low blood sugar.
- Education. While I don’t have much time to do anything else, I’ve still been thinking about what the next step is for me. In addition to being an artist, I am also an educator and I think there is great value in using visual art to spread information that encourages empathy. I am interested in any opportunity to bridge the gaps between people who are suffering in isolation and between doctors and patients. I want to talk to students, doctors, patients, parents, and partners about the power of art in the realm of medicine. Last month, my work was part of a display by Art in CME at the 41st Annual ACEhp Conference (Alliance for Continuing Education in the Health Professions) and I hope to participate in more things like this in the future.
Stay tuned for updates and more documentation of my progress. Thanks for reading! xoxo
I’m currently preparing for a new semester of classes, which includes preparing to write my thesis…which is crazy. At this point last year, I had no idea what my thesis would look like or if I would be prepared for it when the time came. When I compare all the work I’ve made in just the past few months, let alone the past few years, it seems as if I don’t know what I’m doing. And sometimes I truly don’t. At times I couldn’t decide which medium to use, whose advice to listen to, or what to make. What I’ve learned recently is actually something that I already knew. I had to work through all that uncertainty to get where I am now. I had to try out different mediums and follow up on advice I was given and make a bunch of stuff that I wasn’t satisfied with. And now I feel a lot more certain of the work I’m making.
Anyway, the images below are documentation of one of those paths I ventured down. I experimented with layering, manipulating, and mechanical reproduction via photocopier. The process was incredibly satisfying and I’m very happy I spent last summer creating these pieces. One day I might return to them…we’ll see.
The next few images were taken as I prepared for our summer open studios. You can see the number of pieces on the wall dwindling as I removed the less successful ones.
I played around a lot with the density feature on the photocopier. And I say ‘played’ because it was surprisingly a lot of fun to just stand at the copier like a scientist adjusting different parts of the process and layering random materials on my drawings.
Until next time! xoxo
The past semester was a bit overwhelming–hence the lack of activity on here–but I’m so excited about the work I’m making. Here are some photos of the things I’ve been working on for the past few months. Next up: thesis!
The opening reception for the Against the Grains show took place on Friday August 28th. The space that the Salem Museum provided for us was spacious and well-lit and we had a great turnout. The show comes down this Friday the 25th, so make sure to check it out if you get a chance!
The show included work by Jim Burtch, Michele Deemer, Cory Greer, Melissa Jennelle, Kent Moore, Frank Toler, Wayne Llywelyn, and myself.
Thanks to the Salem Museum for opening their space to us and thank you to all of my friends and family who showed their support!
The visiting artists program at SAIC is really special. During the summer, we had two artist lectures per week and we got to be more involved with 3 of those artists over the course of the residency. We presented on one artist (as a gift to them), had a group critique with another, and had a one-on-one studio visit with the last. Whether I like the artists’ work (and/or personalities) or not, I learn so much from each lecture and each interaction. This summer, I did my presentation on Rodney McMillian, had a group critique with Eileen Myles, and received a studio visit from Alejandro Cesarco.
I’ve started to make blind contour drawings of each artist during their lecture:
Yvonne Rainer + Gregg Bordowitz
Kira Lynn Harris
I’ve been attracted to thread and embroidery for a long time, but I’ve never quite committed to learning how to use thread the way I want. Instead, I’ve mostly just been collecting images of work that inspires me. I like the idea of embroidery or stitches as evidence of a needle. You can no longer see the needle, but you can see where it has been.
This past summer in Chicago, I decided to check out a sewing machine and just play with it. I also did a tiny bit of sewing by hand.
Most of the messy lines were unintentional results of me playing with the sewing machine settings, but I’m happy that they turned out this way.
I hope to incorporate thread into my work even more over the next year. Thanks for visiting!